The Go-Between
De (autor) L. P. Hartleyen Limba Engleză Paperback – 05 Mar 2018
Toate formatele și edițiile | Preț | Express |
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Paperback (3) | 48.27 lei Economic 27-39 zile | +17.05 lei 13-18 zile |
Penguin Books – 29 Jan 2004 | 48.27 lei Economic 27-39 zile | +17.05 lei 13-18 zile |
Samuel French Ltd – 05 Mar 2018 | 75.66 lei Economic 3-5 săpt. | +8.22 lei 19-27 zile |
NEW YORK REVIEW OF BOOKS – March 2002 | 94.09 lei Economic 3-5 săpt. | +7.17 lei 19-27 zile |
Hardback (1) | 54.40 lei Economic 20-31 zile | |
Pan Macmillan – April 2013 | 54.40 lei Economic 20-31 zile | |
CD-Audio (1) | 283.21 lei Economic 17-23 zile | +23.46 lei 13-20 zile |
NAXOS Audiobooks – 30 Sep 2016 | 283.21 lei Economic 17-23 zile | +23.46 lei 13-20 zile |
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Specificații
ISBN-13: 9780573114328
ISBN-10: 0573114323
Pagini: 132
Dimensiuni: 144 x 218 x 10 mm
Greutate: 0.16 kg
Editura: Samuel French Ltd
ISBN-10: 0573114323
Pagini: 132
Dimensiuni: 144 x 218 x 10 mm
Greutate: 0.16 kg
Editura: Samuel French Ltd
Notă biografică
Leslie
Poles
Hartley
was
born
in
1895
and
educated
at
Harrow
and
Balliol
College,
Oxford.
He
is
best
known
for
Facial
Justice,
the
Eustace
and
Hilda
trilogy
and
The
Go-Between,
which
won
the
Heinemann
Foundation
Prize
in
1954
and
whose
opening
sentence
has
become
almost
proverbial:
'The
past
is
a
foreign
country:
they
do
things
differently
there.'
He
was
appointed
a
CBE
in
1955,
having
won
the
James
Tait
Black
Memorial
Prize
in
addition
to
the
Heinemann.
He
died
in
1972.
Recenzii
"Exuding such a sense of summer the pages might be warm to touch, Hartley's coming-of-age tale is set during the heatwave of 1900. It all ends in tears, but not before there have been plenty of cucumber sandwiches on the lawn." --The Observer
“The first time I read it, it cleared a haunting little spot in my memory, sort of like an embassy to my own foreign country…. I don't want to spoil the suspense of a well-made plot, because you must read this, but let's just say it goes really badly and the messenger (shockingly) gets blamed. Or he blames himself anyway. And here the mirror cracks; the boy who leaves Brandham is not the one who came. Indeed the narrator converses with his old self as though he were two people. That was the powerful gonging left by my first read: What, if anything, bundles us through time into a single person?” ߝ Ann Brashares, “All Things Considered”, NPR
“I can't stop recommending to anyone in earshot L.P. Hartley's The Go-Between…. One of the fabled opening lines in modern literature: ‘The past is a foreign country: They do things differently there.’ The NYRB paperback has a superb new introduction by Colm Tóibín, but don't read it until after you've read the book itself.” ߝ Frank Rich, New York Magazine.com
“The first time I read it, it cleared a haunting little spot in my memory, sort of like an embassy to my own foreign country…. I don't want to spoil the suspense of a well-made plot, because you must read this, but let's just say it goes really badly and the messenger (shockingly) gets blamed. Or he blames himself anyway. And here the mirror cracks; the boy who leaves Brandham is not the one who came. Indeed the narrator converses with his old self as though he were two people. That was the powerful gonging left by my first read: What, if anything, bundles us through time into a single person?” ߝ Ann Brashares, “All Things Considered”, NPR
“I can't stop recommending to anyone in earshot L.P. Hartley's The Go-Between…. One of the fabled opening lines in modern literature: ‘The past is a foreign country: They do things differently there.’ The NYRB paperback has a superb new introduction by Colm Tóibín, but don't read it until after you've read the book itself.” ߝ Frank Rich, New York Magazine.com