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The Diary of a Nobody: Penguin Essentials, cartea 29

Autor George Grossmith, Weedon Grossmith
en Limba Engleză Paperback – 5 apr 2012
'I fail to see - because I do not happen to be a "Somebody" - why my diary should be not be interesting'

Mr Pooter is a man of modest ambition, content with his clerkly lot. So why is he always in trouble with disagreeable tradesmen, impudent young clerks and wayward friends? And what is he to do about his son Lupin's distinctly unsuitable choice of bride? However hard he tries, life piles its little mishaps on his head - but he's not about to give up.
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Specificații

ISBN-13: 9780241956861
ISBN-10: 0241956862
Pagini: 240
Dimensiuni: 111 x 181 x 15 mm
Greutate: 0.14 kg
Editura: Penguin Books
Colecția Penguin
Seria Penguin Essentials

Locul publicării:London, United Kingdom

Notă biografică

George Grossmith, son of a law reporter and entertainer, was born in 1847. For some years he worked as a journalist, reporting Police Court proceedings forThe Times, and in 1870 began his career as a singer and entertainer. His special connection with Gilbert and Sullivan operettas, many of the chief parts of which were his 'creations' began at the Opera Comique. HisA Society Clown: Reminiscenceswas published in 1888, followed by a further volume of reminiscences,Piano and I: Further Remembrances. He died in 1912.

Weedon Grossmith, brother of George, was born in 1854. He was educated at the Slade and the Royal Academy with a view to following a career as a painter, and exhibited at the Grosvenor Gallery and the Royal Academy.Joining a theatre company in 1885, he toured the provinces and America. His novel, A Woman with a History, was published in 1896, and the best-known of his many plays,The Night of the Party, was published in 1901. He died in 1919.

Recenzii

The funniest book in the world
The funniest book I know

Descriere

Descriere de la o altă ediție sau format:
A charming satire of middle-class suburbia by George and Weedon Grossmith, with original illustrations from the latter and an afterword by Paul Bailey.