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Staging Postcommunism: Alternative Theatre in Eastern and Central Europe after 1989: Studies Theatre Hist & Culture

Autor Vessela S. Warner, Diana Manole
en Limba Engleză Paperback – 28 feb 2020
Theatre in Eastern and Central Europe was never the same after the fall of the Berlin Wall in 1989. In the transition to a postcommunist world, “alternative theatre” found ways to grapple with political chaos, corruption, and aggressive implementation of a market economy. Three decades later, this volume is the first comprehensive examination of alternative theatre in ten former communist countries. The essays focus on companies and artists that radically changed the language and organization of theatre in the countries formerly known as the Eastern European bloc. This collection investigates the ways in which postcommunist alternative theatre negotiated and embodied change not only locally but globally as well.

Contributors: Dennis Barnett, Dennis C. Beck, Violeta Decheva, Luule Epner, John Freedman, Barry Freeman, Margarita Kompelmakher, Jaak Rahesoo, Angelina Ros¸ca, Ban¸uta Rubess, Christopher Silsby, Andrea Tompa, S. E. Wilmer
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Specificații

ISBN-13: 9781609386771
ISBN-10: 1609386779
Pagini: 298
Ilustrații: 12 b&w figures
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.41 kg
Ediția:1
Editura: University of Iowa Press
Colecția University Of Iowa Press
Seria Studies Theatre Hist & Culture


Notă biografică

Vessela S. Warner is associate professor of theatre history, dramatic literature, and dramaturgy at the University of Alabama at Birmingham.

Diana Manole is an instructor of drama and literature at Trent University in Canada. Manole has published nine collections of poems and plays.

Descriere

Theatre in Eastern and Central Europe was never the same after the fall of the Berlin Wall in 1989. In the transition to a postcommunist world, 'alternative theatre' found ways to grapple with political chaos, corruption, and aggressive implementation of a market economy. Three decades later, this volume is the first comprehensive examination of alternative theatre in ten former communist countries. The essays focus on companies and artists that radically changed the language and organization of theatre in the countries formerly known as the Eastern European bloc. This collection investigates the ways in which postcommunist alternative theatre negotiated and embodied change not only locally but globally as well. Contributors: Dennis Barnett, Dennis C. Beck, Violeta Decheva, Luule Epner, John Freedman, Barry Freeman, Margarita Kompelmakher, Jaak Rahesoo, Angelina Rosca, Banuta Rubess, Christopher Silsby, Andrea Tompa, S. E. Wilmer